3/16/2024 0 Comments E flat major scale bass guitar![]() ![]() The only difference compared to the major scale is the 7th is now minor 7th rather than major 7th. The intervals for the mixolydian mode are M2, M3, P4, P5, M6, m7, and P8. Intervallic Construction of the Mixolydian Mode Remember, this is the only scale with this configuration of whole-steps and half-steps. Everything else has a whole-step between them. That is, there is a half-step between the 3rd and 4th notes and a half-step between the 6th and 7th notes of the scale. Remember, a half-step is from one note to the very next. Like all scales, this scale has its own unique whole- and half-step construction. Whole-Step/Half-Step Construction of the Mixolydian Mode ![]() ![]() If you’re interested you might read up on the philosopher/mathematician Pythagoras. Ancient Greece is the birthplace of scale theory and acoustics. The modes of the major scale were given Greek names. The scale’s name is pronounced mix-OH-li-DEE-an. It’s like a grittier version of the major scale. You will notice the sound of this scale contains tension and feels unresolved. The scale degrees are R, 2, 3, 4, 5, 6, and b7.Īlthough it is only the difference of one note, the overall sound of the scale is very different. Compared to the major scale the mixolydian mode has a flatted 7th. The structure of the mixolydian mode is only different from the major scale by one note the 7th. It’s the same group of notes only starting and ending on G, the 5th. Therefore the 5th mode of C major is G mixolydian: G, A, B, C, D, E, F, and G. For instance, the C major scale is C, D, E, F, G, A, B, and C. The mixolydian scale starts on the 5th note of the major scale and ends on the fifth note. ![]() It is the fifth mode of the major scale.Ī mode, you may remember from the major scale lesson, is a scale derived from another scale. The Mixolydian mode is one of the most commonly used scales in music. ![]()
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